Rolleiflex F3.5 1969

This week I bought a Rolleiflex F3.5 Planar camera (circa 1969). I have been looking at getting a nice TLR, and have struggled to find one I want. Originally I wanted a Olympus Flex, but they are hard to get hold of, and the ones on the bay state they have fungus and/ or haze. High Street Radio down in Croydon happened to have a couple of TLR cameras, so I popped by to check them out. 

There was a really bashed up looking Roleiflex F3.5 Planar in there. After tinkering with it for a while, I decided to purchase it. Finally I had my first TLR camera, and I would get to enjoy using this unique device. 

After figuring out how to load it correctly, and wasting a roll of Fujifilm Pro 400H, I took it to Camden with me, ready to shoot some film (and a video for YouTube). After shooting my Olympus 35 RD for a vid coming out in the near future, I pulled out the Rolleiflex and got down to business. 

In terms of use, it is fairly easy to use. This one has a light meter, and after getting the photos back I have noticed the light meter is about a stop under ideal exposure (not to self!). The dials and controls are very easy to use, and having used film cameras and the Mamiya 645 1000S, I found using the TLR a breeze. The photographs came out pretty much how I envisioned, and the camera balanced well in my hands. 

I a getting more and more unsure of where I get my photos developed, as the film comes back increasingly more scratched and grotty each week. I even saw them cutting up film without gloves, and on a guillotine! Poor film!

With that aside, I have really enjoyed shooting the Rolleiflex, and will use it again in the near future.  Have a good one - Sly!

Vote for me - World Street Photography 5 book

https://world-street.photography/en/photo/209084

Please click the above link, sign up, and vote if you get the chance! One of my personal photographs is up for voting to be in the World Street Photography 5 photobook! 

It is an honour to be selected, however it is now down to the amount of votes it can pick up. This photograph is currently in my London Street Portraits gallery on this site. It is the woman getting out of the London cab, that nearly knocked the camera out of my hand when she randomly opened the door. I happened to click the shutter just before she noticed she nearly hit me. I love the shot, and the anecdote that goes with it. 

I reviewed the world street photography 4 book on my youtube channel last year, and there were some amazing entries. If you are into street photography and fancy entering a competition, please enter the site, as it showcases worldwide street togging talent! 

See you on the streets, and thank you for your time :) - Sly

Film Photography with toys

So Saturday was my first video concerning shooting toys or model figures. Something I have dabbled with in the past, but nothing I have really thought about doing seriously (or spending money on). There were a few set backs, and the shoot certainly didn't go to plan. however, I am fairly happy with how the video came out. 

The first issue I came up against was not being able to find anywhere that sold decent C41 film. As you may be aware, I tend generally shoot B&W film, however when it comes to making videos, getting C41 developed and scanned saves a lot of time. This is important as I work full time, so I am only able to be creative in my spare time. I ended up getting Fujifilm C200, and I wasn't impressed with this film at all.

Another issue I had wasI didn't have anything particularly interesting to shoot, as I don't really collect figures. So I had to order some, and they arrived very late in the evening, and I was exhausted having being ill most of the week. Still, I stuck to my guns and decided to shoot the video all the same!

I really got into it after a few shots, and it is very fun trying to be creative with it all. And shooting on film felt very natural. I decided to keep the lighting to a minimum, as it went with the aesthetic of the toys. The film was shite, so I converted it to black & white, and it worked much better. I was also shooting medium format but shot it one stop underexposed, and together with the 35mm film, it kept the same sort of feel. 

Overall, I would like to try it again down the line. Preferably with more preparation, and better toys/figures. This will probably be my only video in this direction for a while, as I tend to shoot street photography. Perhaps next time it can be an outdoor toy/model shoot!

-Sly
 

Going C41 from Black & White

Although at heart I am still a black & white photographer, for the recent Mamiya 645 1000S videos; I have been using C41 processed film. I have used colour film in the past, I love Portra 400 very much, I have branched out a fair bit this time. I may keep this a running theme for videos, hoping this does not get in the way of my Norma street photography. 

So pushing Ektar 100 to 400 yields interesting results, but purely on an experimental level. This film was clearly not meant to be pushed two stops. However, there are not manly videos on YouTube that have done this, and pushing film is what I tend to do. 

Now the Fujifilm Pro 400H is another matter altogether. Pushed from 400asa to 800asa (1 stop), this film looks great in medium format. Pleasing, more subdued colours, but the acuity of the film itself looks great. It would be interesting to see what this film looks like pushed to 1600, but I suspect it will look more Lomography than photography - but perhaps we shall see. This is a film I am happy to shoot again. 

I would like to try 120 rolls of Portra 160 and 400. I would also like to shoot some Velvia at box speed in the summer for landscape stuff. I have already shot Ilford XP2 in 120, and found it okay, but I would like to do a side-by side comparison with Fujifilm 400CN (C41 B&W)- perhaps a shoot out video in the future?

The pros to shooting C41? The main upsides are time saved and money saved. B&W development costs a lot more, and always takes longer when putting a film in for development (certainly anywhere local to me). This makes C41 perfect for videos, as they can be recorded, edited, and film developed and scanned within 24 hours. Very handy for someone who works full time. 

The last two Mamiya 645 1000S videos have been fairly popular, and I will be pursuing this further for another couple of videos, as the formula seems to work well for me and for viewers. I will be moving back over to Olympus and Zuiko videos soon, but I am enjoying the medium format videos very much. 

See you soon - Sly.

Location videos

So I have had quite a lot of feedback regarding the Mamiya 645 1000S pushing Ektar 100 to 4000asa video. So much so, I am considering doing more location videos. 

Quite a different start to 2018 in terms of my youtube, the location of Leake Street Graffiti tunnel made for great test shots. It also seems to be picking up pace in terms of views,  and with a lot of interest means I will likely be making more in the near future. 

I am to add a little bit more humour and personality into the videos, as I feel it is important part of who I am. The real question is balancing the humour with decent content. Challenge accept 2018. 

Having been the first time I have shot Ektar, I have to say I like the film. It has some interesting results when pushed, but ultimately this film is best at asa100. 

Ideas for future videos? Well I would like to keep the theme of medium format and C41 film for now, as it is quite different to what I usually do. It would be great to shoot some film and lenses head to head, and as mentioned in my highlights of 2017 video, I would like to do a little podcast at some point. 

I am open to suggestions around what videos to do, and look forward to hearing them! 

-Sly

Ektar 100 pushed to 400asa

Yesterday I shot two rolls of Ektar 100 as 400asa in London. One of these rolls was in Leake Street Grafiti Tunnel, and we shot the shoot for YouTube. 

It was my first real location video, and I really enjoyed it. It was a slow start to photography, as we struggled to find a specific location. Eventually we headed over to Leake Street and decided to shoot there. 

The editing experience was quite different to my other videos, but I enjoyed doing it. Hopefully I will have more street location videos coming soon. 

Keep an eye out for more Mamiya 645 and other vintage camera videos, this blog post isn’t quite as sophisticated as I intended as I am tired! 

-Sly. 

In London tomorrow (6th Jan)

Going to be in London tomorrow street togging! Should be capturing some on location footage, specially of me shooting medium format. 

This will be the first time I have someone with me filming me - it should be interesting. Hopefully all the equipment works, as I cannot take my DAW set up to record audio. I will be going straight into the Shure Lav mic Pro+. I have filmed using this before, but it has been hit or miss. 

I will be shooting the Mamiya 645 1000S (55mm F2.8 len), with Ektar 100 pushed to 400. It is likely I will turn these into my usual B&W, especially as it will be a great and overcast day with very grey locations. 

I will be very selective with the shots that I get. I will also either take my OM-1 or 35 RD. If the weather is bad I will likely just shoot digital and and reduce the locations to basic areas/ make a street photography tutorial. 

I will see you on the streets! - Sly

New lens on the way, second roll in M645

So I have just ordered a Mamiya Sekor C 55mm F2.8 (about 34mm equivalent on full frame equivalent). This can only mean on thing...  medium format Street Photography! If you follow me on here or on YouTube you know that I have recently acquired a Mamiya 645 1000S with a 35mm F3.5 lens (22mm FF eq). 

Although I shoot wide angle lenses, the 35mm F3.5 is a tad too wide for general shooting, However, I would like to make a couple of really wide shots in London. As always, getting a new piece of gear is always exciting. Unfortunately, it was a little more than I really wanted to pay, and I have just seen the same lens on the Mr Cad (camera shop near Victoria) for less. 

Nonetheless, it does not put a damper on the situation. I currently have a roll of Ektar 100 in there, and have been shooting it at asa400- so must remember to have it pushed during development. 

I have already shot a test roll of XP2 120 in the 6451000S, and will be picking up the roll tomorrow. This roll was shot taking various landscapes on nearby downs. But, I am still looking forward to getting it back. 

I would like to get a metered prism/ viewfinder for the 6451000S, as using a separate hand held meter does slow me down when shooting. 

So far I am enjoying the Mamiya, and look forward to getting some of the results up on the site! 

- Sly.

2017 year end- Mamiya 645

So last night (New Years Eve) I recorded a video for 2017 highlights, and was deep into the early hours editing. It is probably my longest video to date, but everything talked about is relevant. It is mostly a recap of the gear I have used and reviewed, along with trips I have made (Helsinki etc.). 

I thought I would add a few more thoughts in blog form, as I did not want the video to run on endlessly. 2017 has been a tough year, having had some bad news at the end of 2016 in the family. There have been a lot of difficult moments, but photography has been a fantastic tool to vent. 

I am now fully established in terms of my photography workflow and routine. I know exactly what I want, and have the technical know-how to go out and achieve things. My eye for shapes and abstractions has gotten a lot better. 

Enter 2018 and the Mamiya 645 1000s.  An important camera for me, the 645 is my first real venture into medium format, and I am looking forward to using the system. I will be putting several rolls of film through it, starting with my test roll of XP2 (1 exposure left!). I will also continue to review the vintage zuiko OM lenses, and may pick up one or two that are on my wish list. 

I will also attempt to do more videos on the vintage olympus rangefinders. I currently have the RD, and will be putting rolls through that. I have had the little RC in the past, but the lens is nothing to write home about. 

All in all, I hope to make more progress in 2018, and will be setting myself personal goals to achieve (in photograph and life). Anywho, enough babbling, get out there and create! 

- Sly

Olympus 35 RD CLA’d

Today I went to the camera shop and picked up my Olympus 35 RD, fresh from a CLA. RD stands for Rangefinder Deluxe. This camera packs a bright view finder and range finder combination, as well a light meter and a sexual 40mm F1.7 Zuiko lens. 

This camera sits neatly between the Olympus 35 SP and RC in terms of size, and is also smaller than the flagship Olympus OM-1 SLR. Like most of the vintage Olympus line ups, this camera takes the old mercury batteries. 

I am looking forward to putting a roll of film through this camera, as it is a particular special little beast. The lens is meant to be sharp and contrasty, and the rangefinder is nice and bright when I look through it. This camera is the second Olympus 35 rangefinder I have owned (the first being the 35RC), and is a camera I have had my eyes on for a while. 

It is the 23rd December, so it is unlikely that this camera will see much action on the London streets until January, however I may put a colour film through it over Christmas. 

Keep your eyes peeled for some hardcore rangefinder action - Sly. 

Photography this Christmas?

Do you feel Christmassy this year? A question I was asked earlier. The answer is; no. I usually enjoy Christmas - or certainly used to. It doesn’t feel quite how it used to. 

Photography-wise, Christmas makes me think of reds, greens, and bokeh Christmas lights. This time last year I was playing around with my Samyang 85mm F1.4, a beautiful lens. Great micro contrast, and lovely Bokeh. 

The other side of it makes me think of freezing cold, wet, street photography in London. There is something about the light this time of year, it gives off great shadows. However, I may not visit London this side of Christmas. It gets very busy and awkward, and I have yet to finish my Christmas shopping! 

Gear wise, I have my eye on a possible micro Four Thirds camera for videos, zuiko 50mm F1.2, or an 85mm F2. The camera shop called, my Olympus 35 RD has been CLA’d and is ready to be picked up - guaranteed photos coming in, and a possible review. 

I could do with some more 35mm film, and there are a couple of photography related apps I would like to get for my IPad Pro. 

So what photography goodies do you have your eye on this Christmas? 

Have a good one - Sly. 

Creativity and illness

Being human; our immune systems are subject to attack from outside forces. When illness strikes, creativity and drive go out the window in order for your body to focus on driving out the invading force.

There are some instances however, where you can be ill but still want to be creative. Issues that arise at this point are usually a lack of energy or a need to be near a bed or toilet. So what can you do to be creative when ill?

Firstly, rest and recovery is key. Once you are near enough back to normal you will be able to be as creative as you like. If you have an illness that is taking longer to bugger off, then there are a few suggestions I have for you.

The first suggestion is make a list of things you want to do when you are better, or perhaps a smaller list of what you are able to do with your lack of energy. Writing a blog entry like this is something that is on my list. I can just about manage a page of typing, and if I don’t have the energy or brain capacity I can just stop.

Another suggestion is drawing and sketching. Again, this is something that you can start doing and stop if you are too unwell to continue. At any point, please make sure you are focused on getting well rather than draining energy causing you to be ill longer. However, I totally understand that the need to be creative can be a strong driving force.

when it comes to photography or music, it can be a little more difficult. As both of these require a lot more energy than just sitting down and drawing/ writing. Once again, you could make lists of goals or ideas for either. You could put your camera batteries on charge or scribble down a quick riff or phrase.

The key to it all is patience. Once you are fully recovered you will be able to do a great deal more.

Sincerely rambling on, 

-Sly

Rode Smart Lav+

So I have had the Rode Smart Lav+ for a few months now. As someone with an audio engineering background, I have always recorded the audio to my videos on mostly dynamic studio microphones like the Audix OM2 or i5, and the Shure SM57, etc. I decided that always having a honking microphone in front of my face in videos was a pain. I would always bump it or move my head away whilst talking. 

Apart from a need for mic technique, I did try getting the rode video mics, but never really gelled with them. I discovered the Rode smart lav+ a few months back and decided to pick it up. This would allow me to do videos out on location if I wanted to, but would allow me to move around how I wanted. 

However, due to the fact that the app specifically designed for this mic was only on IOS, havin an android mobile phone meant that I struggle to find a decent app for recording. I would always end up importing the audio into my DAW (recording software) and editing it. 

I managed to finally purchase the app on IOS for my iPad Pro, but now I had the issue of not being able to do a bunch of stuff on my iPad Pro whilst recording. I managed to get hold of a 1st generation iPhone - yes 1st generation - and downloaded the app. Now I am able to fully make use of this device. 

The results have been much better for this. In conclusion, if you are looking into getting this for blogging or recording audio then I do recommend it on IOS. We can only hope that Rode release an app for android in the near future. However, I can’t see this happening any time soon.

-Sly

Can an iPad Pro be used as a main computer/ device?

There’s a lot of talk on the internet around the new iPad pro’s being able to be used as a main working computer/ device. Although I find the idea an interesting premise, I struggle to see many people being able to do this. 

Despite the fantastic hardware within the iPad Pro’s, as tablets , they are still only really a sup’d up mobile phone running on IOS. I do not mean to do them a disservice, as they are capable of quite a lot, and are remarkable little machines in their own right. However, being a creative person, they are not idea for a lot of what I need a main computer to do. 

With that said, they are fantastic devices to have. Not only can they be used as a tool to advance a main computer device (Duet and Astropad come to mind), but they allow certain creative sides to be explored. A good example of this would be Procreate. Now, this app will not be for everyone, but this app along with the Apple Pencil show just how far the iPad Pros have come along. 

As a musician, the iPad is not that great for general recording. In fact,my back ground in music technology and live performing alone tells me they are not adequate for my needs. Are they capable of making recordings? Yes. Are they capable of editing? Yes. However, they are extremely limited in that regard. They could be used to record parts and then import onto a main system. 

As a photographer, the iPad has more than a few uses. Full lightroom app? Sadly not. Lightroom mobile, although handy in a cinch, is something I just don’t consider to adequate for my needs. With that said, Affinity photo is an app I would love to get my hands on - perhaps in the near future. However, the Astropad app used in tandem with the full lightroom app on a main MacBook is a fantastic tool for photography. This is one of the main reasons I picked up an iPad Pro. Duet is another handy app for photography; the ability to edit and still have a main screen/ finder open on a second screen is handy. 

So what about for the average Joe just wanting something to surf the net, listen to music, and play games on? Yes these machines can do this all day long. It is perfectly plausible for someone to use the iPad Pros specifically for these things, and the hardware allows it to be very fast, and the speakers (although nothing special in music gear terms), are good for a portable device. 

My conclusion is that the iPad Pro is a fantastic secondary device to have. It can be used in a lot of situations to aid main devices, and can be a stand alone internet surfing device. It is also a fantastic tool for those of us that are creative. Does is replace a 16GB ram IMac or MacBook Pro? The answer is no. I fear that as long as iPad Pros only run on IOS this will not be the case. Does it rival the Microsoft Surface Pro? No, as that is basically a laptop in a tablet running on windows. There seems to be a lot of videos on the toob about iPad Pros been handy devices for students, and I can see why this might be. Overall it s a fantastic piece of technology, and a large number of people will find it very useful. 

All the best folks! - Sly

Procreate on the iPad pro

As mentioned previously in my “Duet & Astropad for photographers” blog, Procreate is one of my favourite apps. Essentially Procreate is a creative tool for drawing & designing. There are elements that pertain to photography, however I have mostly used it as a drawing and painting app.

I recently got more into drawing. I am by no means fantastic, but I do enjoy the odd sketch and paint. I have to say, utilising the layers and all the different tools within the app make it very easy, and a clean and easy way to be artistic. 

My mother paints, and is really into her art. She has spent a session or two on the iPad (technology is not something that necessarily come easily to her), and she really enjoyed the app. It was functional, simple, and produced a good quality results. 

Having spent quite a few hours with this app now, it is something I intend to use fairly often to help me explore a creative side that has pretty much been left dormant since senior school. You can use your fingers or the Apple Pencil. Using the Apple Pencil is far more satisfying, and its works fantastically well. The sensitivity in random with the screen produces very similar results to real paper and pencils. I can see a designer loving this application.

In terms of photography, you can import photographs and draw/ sketch over them. Handy to picking up where leading lines and other elements come into play within the frame. I am sure someone with a lot more skill and hours logged, could render in some really interesting elements into an actual photograph. However, I do not do this with my street photography.

Anywho, I thought I would just put my thoughts on this app on my blog, as it is something I use in a creative fashion. 

- Sly

Duet & Astropad for photographers

So I have recently picked up an iPad Pro 10.5”. Now this is an unusual move for me, as I am not overly keen on touch screens. However, I am finding it a useful creative tool. 

Let me start at the beginning: I was looking at the very cool Microsoft Surface Pro 2017 model. In a perfect world, I would have one of these whilst traveling, allowing me to edit using a stylus on my photos, as well as having access to creative drawing apps. However, this is the real world, and my MacBook Pro provides the power I need to get the job done, and has served me well up to this point.

Enter the iPad Pro. There are a couple of apps on the iPad Pro that allow it to be more than just an oversize mobile device. Yes, yes, it is more than a mobile, however it only runs on IOS. I am getting of course here... The apps that drew me to the iPad Pro 10.5 are Duet, AstroPad, and ProCreate. Procreate is more of a creative drawing tool, and may I will touch on that in another blog, but you can import photographs into it. 

Duet turns your iPad into a second screen for your MacBook/iMac, etc. It costs about 14.99 GBP, and is a really handy device to have. Having a second screen to look at is invaluable to me. I always have several applications up, including apps I want to interact with each other, without having to minimise and then maximise all the time. Does the iPad with duet replace a second monitor? No. However, it is a great substitute if you are travelling, and if you use the iPad Pro as a creative tool in tandem with your main mac/ computer. 

AstroPad is an app that allows you to use your iPad and Apple Pencil as an editing tool on full photoshop or lightroom when attached to your MacBook, macs, laptop, etc. Although rather invaluable compared to most apps, it is only an alternative to devices specifically dedicated for this task. However, AstroPad really is a fantastic tool for enthusiast and pro photographers. 

The only downside when using your iPad in the UK, is that you cannot at this point use the Spyder tool app for IOS. It is currently not available for UK App Store. Hopefully this will be changed in the future. So for now, please use your main mac/ computer device screen to judge colour and hue rendering (etc.), and use AstroPad to zoom in and edit blemishes and highlight areas you wish to edit. 

So are these tools worth it or can you live without them? Yes you can.
AstroPad: It is slower going using a mouse, and even more so using a track pad, however you can ultimately achieve the same results. AstroPad does allow you to get in and easily make the changes you wish to make.
Duet: Does not replace a real second monitor, but is a great substitute. A fantastic travel companion for anyone that wishes to have access to a second screen/ touch screen device.
Procreate: More for creative drawing, painting, and designing. However, this is one of my favourite apps of all time. Allows me to be creative, and I can import my photographs and draw/ trave over them. Handy to see leading lines and other similar elements come together. 

Anyone who has an iPad can use duet, however AstroPad works best with the Apple Pencil and the iPad Pro. 

- Sly

A productive day shooting

Today I had a great time shooting in London. I started in Camden, getting a few walk by hip shots, then grabbed a coffee and jumped on a 24 bus to Tottenham Court Road. Got a couple of general shots, but there was a lot of road works, so I headed to Leister Square & Trafalgar Square. 

The fountains in Trafalgar were dry and being cleaned, a peculiar scene indeed! I got a couple of shots with the gentleman cleaning the fountains, and started the march down to Embankment and Waterloo bridge. 

I got a great colour shot of the H's of P and the eye on Tuesday, but this time South Bank in general was my main visit. As always, great characters and some fantastic shots. I have noted that I have started to get more and more abstract reflection shots- perhaps this will develop into a project in and of itself. 

Anywho, photos up in the photography tab! 

- Sly 

Will the Ricoh GRII still be relevant in 2018?

Welcome fellow street photographers. With rumours earlier this year about the next model of the Ricoh GR, I, like many a street tog, was beginning to froth at the mouth.

The cult camera that is the Ricoh GRII has been one of the most reliable cameras in my arsenal. It's wide, snappy, sharp, and small & inoffensive. It has been my perfect candid walk by camera, and has allowed me to create some fantastic photographs. The thought of a possible GRIII in 2017 got my gears lubricated. 

Alas, 2017 will not be the year for a Ricoh GRIII release. However, the GRII remains a reliable beast. But will it still be relevant in 2018, given all the competition? The short answer is yes. The GRII still remains one of the most affordable options, and despite a few limitations, contends with the best of them. 

If you are looking at compact street cameras, the GRII really should be near the top of the list. The handy flash, macro, and snap features, allow this pocket beast to remain fairly all-ground in terms of general performance. The RAW files are top quality, and I have no problem important and editing them in lightroom. The lens is sharp, and everything renders well. 

Should you wait for a GRIII? Well, at the moment it looks very unlikely that a GRIII is closed to being released. I am unable to find any true evidence of one being made when searching online.  My suggestion would be that a GRII is a great option right now, and you can pick them up fairly cheap used (or perhaps in a Christmas sale...). It does remain relevant, and certainly a cult classic, but I am sure fans are praying to the lords of Ricoh that a GRIII will be a great upgrade to the GRII. 

-Sly 

JCH Street Pan 400

So I have now shot several rolls of JCH street pan 400. An extremely contrasty roll, that is made specially for being pushed and pulled. 

I have shot this 35mm film on a several cameras, and with a few lenses. Firstly, this film has a fantastic dark and gritty feel that works fantastically well for street photography. I tend to push my film to either 800 or 1600, so I have been shooting this film at those two ASA's.

I feel the best results have come from shooting this film on my olympus OM-1 with the 40mm F2 pancake lens. This is a really versatile normal focal length lens, with sharp rendering. Paired with the JCH street pan 400, it has gotten crsip, clear, contrasty results. 

Conversely, this film was not so good with the Yashica ML 50mm F1.4. This was a surprise, as I feel it is the sharpest, clearest 50mm lens I own (and I own and have owned quite a few). My only really deduction is because this lens has fantastic micro contrast, and works really well with less contrasty films. The micro contrast seems to be less pronounced due to the high contrast produced by the film. 

Conclusion: This film is specifically made for street photography, and although you could use it for other genre's, it's strengths lie in gritty, high contrast, street shots. The film is not cheap in the UK, and not easily available. However, it would be great for a unique project or novelty, certainly 5-10 rolls would make a fantastic christmas present for a street tog. 

As with anything, this 35mm film is worth trying. It may or may not be for you, but I have gotten some really interesting shots with it. 

- Sly

Location: Camden

Camden has become increasingly important to me over the last couple of years. I have very fond memories that I will keep with me, and I will regard a couple of the eateries and cafes a 'must go to' when I am in town. I especially enjoy the walk along the canal as well as the markets, and intend to go from little venice to Camden walking along the canal one day. 

This weekend say a 'Zombie walk' through the centre of town the pub. A great opportunity for some street photographs. Watch this space for more one Camden!